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Loupedeck照片编辑器控制器宣布支持Photoshop_我的网站

一 | 1月14日，据日本媒体报道。    

    The 38th Hundred Flowers Awards ceremony is held in Beijing on August 10, 2026. Photo: VCGWhen the 38th Hundred Flowers Awards, one of China's three major film awards, concluded in Beijing on Tuesday, AI emerged as one of the event's new participants, alongside the stars on the red carpet and filmmakers receiving honors.
For the first time in the 64-year history of the awards, this year's edition introduced an AI-generated content (AIGC) recommendation unit, giving AI-generated films a new pathway into a major film award platform.
The move reflects a broader shift in the relationship between technology and cinema. 
Rather than replacing filmmakers, AI is increasingly seen as a creative tool that lowers production barriers, expands visual possibilities and allows more people to turn ideas into films, Zhang Peng, an associate professor at Nanjing Normal University, told the Global Times.
The AIGC recommendation unit, launched on June 30, attracted 2,038 entries from around the world in just over a month. After evaluation, six productions received the "Hundred Flowers AIGC Recommendation Honor," covering categories including animation, visual effects, technology, creativity, directing and short films.
For many young filmmakers, AI has opened a new path into the industry. Multiple award-winning creators said at a seminar on the sidelines of the Hundred Flowers Awards that AI tools such as Jimeng and the Seedance model helped them with visual development, shot design, dubbing and maintaining emotional continuity.
Zhang Bohang, a representative of the team behind Yi Meng (A Dream), which won the award for Best Animated Work, said at the seminar that animation had long been a dream for the team, but high production costs had previously made it difficult to bring that dream to life. "The emergence of AI has given us a way to make our dreams come true," he said.
Lu Qiwei, a representative of the creative team behind Yecha Crossing the River, which won the Best Creative Work award, said at the seminar that Seedance allows creators to input characters, scenes, visual styles and directorial ideas, then select and organize the generated material themselves.
However, filmmakers at the event also emphasized that AI does not replace human creativity. Director Liu Shuheng, whose work Out of Control received recognition, said AI had lowered the threshold for creating visual images while raising the expectations for creators' decisions. 
"AI makes it easier to create a picture, but it also makes people think more about why they choose to shoot it this way," Liu said at the seminar.
The shift is not limited to AI-powered filmmaking. The awards are also expanding recognition for emerging forms of storytelling.
The 38th Hundred Flowers Awards also introduced a new short-drama recognition section, marking the first time the awards had recognized short dramas. It marked the first time the awards had included short dramas in their recognition system, organizers said.
AI also featured prominently in the event's audience experience. Global Times reporters observed interactive installations that allowed audiences and celebrities to generate personalized digital keepsake photos, while AI was also used during the red-carpet livestream to provide real-time commentary, answer viewer questions and enhance visual backgrounds.
The Hundred Flowers Awards' embrace of AIGC comes as major Chinese film festivals increasingly explore AI's role in cinema. 
Since its launch in 2024, the Beijing International Film Festival's AIGC Film Section has been the first dedicated section at a major film festival worldwide to focus on AI-powered image-making. Meanwhile, the Shanghai International Film Festival this year has launched a new "AI Studio" section, aiming to create the first experimental platform dedicated to exploring AI-assisted collaboration in film production.
From competition entries to audience experiences, these developments suggest that AI is no longer just a behind-the-scenes production tool, said Zhang.
"AI is gradually moving beyond being a filmmaking tool and becoming part of the broader film festival ecosystem," Zhang noted. 
"From AI-generated films to short dramas, the move also shows how China's mainstream film platforms are embracing emerging formats and recognizing new forms of storytelling."
。观看，1月10日，Loupedeck宣布其照片编辑控制设备“Loupedeck”将与Adobe Photoshop CC 2019兼容。Loupedeck是一个专用的照片编辑控制设备，可以连接到PC或Mac。为了直接操作和调整每个项目，如等曝光，色调和饱和度，它取代了传统的键盘和鼠标独立的旋钮，键和滑块。过去，该设备支持许多软件预设，如Lightroom Classic CC、Capture One、Skylum Aurora HDR，最近决定开始适应Adobe Photoshop CC 2019。

二 | 在此背景下，公司创始人兼首席执行官Mikko Kesti表示：“我们的用户强烈希望能够在控制器上编辑photoshop，我们决定满足这一要求。”尽管这一次只对应于photoshop cc 2019，但据说它希望将来能够确保与premiere pro cc兼容。根据发布的内容，Loupedeck根据每个工人的工作流程有相应的可扩展性和定制性，可以直接操作层和工具，以及调整层的透明度。它的键和旋钮与移动、分组和连接操作相对应。

三 | 它可以自定义智能滤波器的按钮（它可以应用和调整滤波器，而不改变原始图像的功能，即所谓的调整层）。此外，还可以执行动作录制和执行按钮分配。从本公告的内容来看，虽然我们看不到与photoshop cc 2019新功能直接对应的内容，但我们强调，旋钮和按键可以通过多种方式进行定制。因此，可以推断，即使未来出现新的功能，photoshop也可以根据其灵活性进行定制。Loupedeck于2018年7月宣布，以2600元的价格在中国推出了自己的照片编辑定制键盘Loupedeck产品。本产品主要针对专业用户，使图像编辑过程更加高效、快速、准确的调整。同时，它也是市场上唯一一款能够增强Adobe Lightroom操作体验的定制产品。

四 | 现在编辑器支持photoshop，这无疑为专业用户提供了更多的便利。

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